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U P C O M I N G P R O J E C T S
2026 – New York
Spatial Performance Development of a 24-channel immersive composition exploring climate, more-than-human rights, performance and sound technologies.
2026 – Labsonora, Amazon rainforest, Brazil
Transdisciplinary residency blending scientific climate research, more-than-human rights and art practice. Fieldwork with indigenous sound traditions and ecological listening.
Soundweb is a participatory sound art project developed in collaboration with the diasporic community of Vaglio, Italy.
The project investigates how sound mediates experiences of migration, memory and belonging, drawing on the traditions of sound ethnography (Feld, 1994) and deep listening (Oliveros, 2005) to approach auditory experience as both method and analytical lens.
The project investigates how sound mediates experiences of migration, memory and belonging, drawing on the traditions of sound ethnography (Feld, 1994) and deep listening (Oliveros, 2005) to approach auditory experience as both method and analytical lens.
Gaia (2024)
Gaia is a community art project on interspecies storytelling, co-created with the local community of Stigliano, in collaboration with land artist Riccelli during Appartengo Public Art Festival 2024.
Centred around nature–human relations, the project operates at the intersection of anthropology, clay sculpting, creative writing and embodied storytelling.
Monumento (2024)
Monumento is a collective open-air exhibition and participatory soundscape developed through ethnographic fieldwork with the residents of Ossana, Trentino.
The project investigates the morphing nature of oral memory and territorial care, exploring how collective stories, artifacts and sonic traces are inscribed, contested and reimagined amid demographic decline and shifting social ecologies.
Even the Ocean desires water (2024)
Even the ocean desires water is a participatory music performance developed in collaboration with intergenerational women of Stigliano, Italy.
The project investigates diachronic transformations in human-land relationships through the lens of wheat cultivation and seasonal labour migrations, drawing on ethnomusicological analysis of local dialect songs and ethnographic interviews to approach oral tradition as living practice.
MEGA (2025)
MEGA (Music Efforts for Green Activism)
Avant Festival 2025
Experimental sound art and vocal improvisation exploring the negotiation of human and non-human copresence in a polluted landscape, based on field recordings of a local industrial cement plant in Puglia, Italy.
Untuning (2024)
Bermondsey Project Space Gallery, London
Untuning is an experimental vocal performance and sound installation that explores my ongoing, precarious process of decolonising the voice.
The work interrogates the colonial legacies embedded in Western musical epistemologies sunch as pitch hierarchy, noise suppression, disembodied virtuosity, and reclaims subaltern vocalities through childlike experimentation with unorganised sounds and ‘noises’.
ALESSANDRA INDINO